Too Much Nothing

Some writers feel that Dylan refers to Eliot’s The Waste Land with “in the wasteland of your mind” from “When The Night Comes Falling from the Sky.”   Indeed on Theme Time Radio Hour he once read TS Eliot, and often has seemed to glory in quoting from numerous sources in the way that Eliot did with “He do the Police in different voices” which was the original title of The Waste Land, and comes from Dickens’ “Our Mutual Friend”…“I can read my Bible and most print. Being people who are not him. You have to give it up. It used to be that we would go where the news happened, or where reporters could dig into documents and interview enough people to show that there was a gap between what was said and what was actually being done. Too much of nothing Can make a man a liar, It can cause one man to sleep on nails It can cause others to eat fire. It also explains fully what he was trying to do with the chromatic version that came out on the LP.In Dylan’s original, the characters are Valerie and Vivienne – not surprising since this is the era of writing about Louise and Johanna, and other combinations of women. If only the networks will realize that this is a bonus rather than an obstacle, we'd all be better off.Indeed, perhaps the networks should not be showing Trump live at five daily unless he actually has something to say that is noteworthy. He tries to represent the madness behind such the concepts of nothingness and madness, which is also part of his theme here, with a simplistic musical device that absolutely doesn’t work.

Now too much of nothing can make a man a liar.

PPM based their version on a different take than what was released on the 1975 Basement Tapes LP.

It doesn’t work totally, and the change of name is extremely annoying because it leads us completely away from the central meaning. The vision from within the tormented individual is so different from the way we witness the individual that it is hard to represent. Give her all my salary on the waters of oblivion. Just putting LISTEN in capitals is not very helpful. I now picture Dylan picturing a lonely Eliot on a well paid lecture tour, lamenting his accomplishments in both literature and life. SALON ® is registered in the U.S. Patent and Trademark Office as a trademark of Salon.com, LLC. LISTENHmmmm Pixel464 it would have been nice if you had explained why I am totally wrong, and how you know that I over-analyse. But it seems to serve no one, and I can't imagine that many people care. D Eb Now it's the day of confessions E F and we cannot mock the soul.

What’s is going to be: the Lucifer of New Pony or the God who died to save humanity?Too much of Nothing is a good example of how Dylan turns Desolation Row on its head. I happen to know Stoke Newington well – it is where my grandparents on my father’s side of my family lived and where my dad was brought up. It is what we would call a solid working-class environment.Eliot never once visited his wife in the mental hospital, and just left here there.

That mocking (bird) is flying a’way.The pattern of rejecting an earlier stance is remarkable in Dylan’s oevre. D One man's temper rises C G where another man's temper might freeze. Of course, by Sunday afternoon, the RNC and the White House were backtracking: They may want cameras. “…when there’s too much of nothing it just makes a fella mean…”Das Gestade der Vergessenheit (“The Shore of Oblivion”) is a painting by Eugen Bracht.The meaning behind the music and words of Bob Dylan Say hello to Valerie Say hello to Vivienne Send them all my salary On the waters of oblivion

Stay tuned.I once worked in local news reporting where a veteran colleague dutifully attended a city council meeting, returned and filed a one-sentence report that editors found unacceptably abbreviated: The City Council met Tuesday night in a routine session. Or he needed to remind Dr. Fauci for the 200th time that the virus case count has only increased as tests for the disease have increased — a statement ludicrous on its face since it does not explain hospitalization and deaths, and seemingly more silly for coming just as Science was triumphing with excellent engineering required for a manned space visit and safe return of astronauts. Thank you for sharing that.You’re all totally wrong. That's it. Too much of nothing Can make a man ill at ease One man's temper might rise While another man's temper might freeze In the day of confession We cannot mock a soul Oh, when there's too much of nothing No one has control.

It is in effect a kick at Eliot, suggesting that there is another part of the Waste Lane that Eliot forgot to mention – the Waste Land of his wife, abandoned and forgotten in a mental institution in North London, while he was lauded and celebrated as he lectured in America.Eliot’s masterpiece is the poem of nothing, the poem whereThis is Dylan’s moment of attack upon Eliot’s whole approach:The song is, for me, a brilliant conception, and it is a sadness not so much that Dylan recorded the chromatic version as an experiment, but that he let it be released on the original Basement LP.But we did have the PPM version, with that bareness of the chorus. The actions of the 366 delegates on Aug. 24 in Charlotte voting proxies for 2,500 colleagues is a foregone conclusion, and there's no drama about keeping Mike Pence at his side.But instead of talking about how coronavirus is about to cancel re-opened sports, or frightening parents and teachers across the country about under-prepared school re-openings, we're served up reports about how this latest Trump move represents the first party nominating convention in modern history to be closed to reporters.It was for just such reasons that most serious news outlets started ignoring individual Trump tweets — even though they are now serving as official government recording of what this administration is saying.

Say hello to Valerie Say hello to Vivian Send them all my salary On the waters of … That kind of art is cruel. And the chorus sure sounds like all of the money is being sent home.

And what we are hearing is about Bob having nothing.

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Too Much Nothing