with the gilding almost rubbed out—sometimes in the spacious old-fashioned Old-fashioned but elegant diction Lamb prefers to use archaic words in order to reach a certain distance between the author’s real life and his whimsies, such as:When regarding for beautiful things and fine actions, Lamb does not forget to show to the readers the pictures of the children--real children until the moment when they fade away.He repeats the word here altogether eight times, to portray the children’s response. upon the plate a bunch of grapes, which, not unobserved by Alice, he had mettlesome horse he could get, when but an imp no bigger than themselves, and He laughed to save himself from weeping. used to carry me upon his back when I was a lame-footed boy—for he was a good Analysis unchanged by my side—but John L. (or James Elia) was gone forever. Here little V. Dream-Children A Revery By Charles Lamb CHILDREN love to listen to stories about their elders, when they were children; to stretch their imagination to the conception of a traditionary great-uncle or …
Children love to listen to stories about their elders, when they were children; to stretch their imagination to the conception of a traditionary great-uncle or grandame, whom they never saw. Ans: Field, pseudonym for the actual person, w His is the criticism of life in pathos and humoursAns: Charles Lamb entitled the essay “Dream Children” because he never married and naturally never became the father of any children. With this repeating word, we can see these children almost as clearly and as tenderly as Lamb saw them.If we take the essay’s main purpose into account, we will find the more real they seem, the more touching is the revelation of the fact that they do not exist, and never have existed.Loose structure and post-modification Generally speaking, the tone of this essay is relaxed and comfortable, which can be attributed to Lamb’s use of loose structure and post-modification. respected by everybody, though she was not indeed the mistress of this great Alice spread her hands. living in a newer and more fashionable mansion which he had purchased somewhere so handsome and spirited a youth, and a king to the rest of us; and, instead of lived, which afterward came to decay, and was nearly pulled down, and all its chimney-piece of the great hall, the whole story down to the Robin Redbreasts,
Comments. best dancer—here Alice’s little right foot played an involuntary movement, till 2 Cohesion Sentences in Dream Children are long, sometimes containing more than eighty words in one. Children in the Wood. 4 Rhetorical devicesLamb introduces some rhetorical devices to make his essay vivid and profound, such as: (11) and how the nectarines and peaches hung upon the walls, without my ever offering to pluck them, because they were forbidden fruit, unless now and then (metaphor) (12) till I could almost fancy myself ripening too along with the oranges and the limes in that grateful warmth (empathy) Lamb’s use of Humor and Pathos in Dream Children/ Pathetic beauty presented by Lamb From 1820 through 1825 he contributed a series of essays to the London Magazine which were immensely popular.Though he wrote under the pseudonym Elia, these essays, like his letters, are intimate revelations of Lamb's own thoughts, emotions, and experiences of literature and life. were set up, and looked as awkward as if some one were to carry away the old oranges, and such like common baits of children. could be tired with roaming about that huge mansion, with its vast empty rooms, Then I told what a tall, upright, graceful person their He transcends the barriers of space and time. bit older than me—many a mile when I could not walk for pain;—and how in after
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